Film Studies is a refereed journal that approaches cinema and the moving image from within the fields of critical, conceptual and historical scholarship. (We do, of course, encourage contributors to support the journal through a subscription and through participation in our annual conferences.). Film-Philosophy is interested in the ways in which films develop and contribute to philosophical discussion. The Journal does not accept unsolicited reviews. Your submission should preferably be emailed to us as a Microsoft Word document (with one pica indents, no space between paragraphs, and with top and bottom margins of 1” and left and right margins of 1.25”). To submit a new manuscript, go to the 'Author Centre', choose 'Submit a Manuscript', and then follow the on-screen instructions. Film-Philosophy is an international peer-reviewed academic journal dedicated to philosophically discussing film studies, aesthetics and world cinema. You should prepare your manuscript according to the instructions below, and submit your manuscript online by clicking here. • Style Guide for Authors For themed issues, please check back later for updates on open calls. Decisions about argument also represent a compromise whenever matters of clarity, accuracy, evidence, organization, logical flow, or any other matters related to efficacy are involved. Articles offered for publication should be sent as an email attachment to editor@filmandhistory.org and one hard copy mailed mailed to the editor: After the initial submission, all further correspondence and transmissions of manuscripts will take place electronically. If a work is a work made for hire, the employer or other person for whom the work was prepared is the author and should be named as the author on the application for copyright registration…. No full-length articles or reviews (or significant portions thereof) may be reproduced in any digital or online format for either open-access or proprietary distribution to consumers. After either the first or second stage of peer-reviewing, an author whose submission has been rejected may ask to receive the information–typically condensed and transferred to e-mail–from the reviewing report(s). Manuscript submissions to the IAFOR Journal of Media, Communication & Film are now OPEN.. Reminders. All articles are distributed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. These changes will be submitted to authors for approval. Please read the full text of the Creative Commons Licensing Statement here. For themed issues, please check our News section to read announcements about open calls for articles. We consider the investment we make in the authors accepted for publication to be the principal advertisement for our journal. New York World-Telegram and the Sun Newspaper Photograph Collection staff photographer © original copyright holders. After any requested corrections have been carried out, the article will be copyedited, paying attention to accuracy, formatting, and language consistency. Each submitted text that is deemed eligible for publication is sent for double blind peer review to external reviewers, experts in a particular field or subject. Authors should follow the guidelines below before submitting their article, book review, or dissertation abstract. After your article is accepted for publication, please also provide: For any audio and visual material used in your text, please download and fill this form. Prospective contributors to Film & History are urged to read this page carefully. Facebook All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). Le Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques est la principale revue universitaire canadienne d'études cinématographiques évaluée par les pairs. Unless otherwise specified, subscriptions begin immediately upon receipt of payment, and include the next two consecutive issues. We consider the investment we make in the authors accepted for publication to be the principal advertisement for our journal. To be considered for review, manuscripts should be between 8,000 … (2) a work specially ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire. For the purpose of the foregoing sentence, a “supplementary work” is a work prepared for a publication as a secondary adjunct to a work by another author for the purpose of introducing, concluding, illustrating, explaining, revising, commenting upon, or assisting in the use of the other work, such as forewords, afterwords, pictorial illustrations, maps, charts, tables, editorial notes, musical arrangements, answer material for tests, bibliographies, appendixes, and indexes; and an “instructional text” is a literary, pictorial, or graphic work prepared for publication and intended to be used in systematic instructional activities. As sole copyright owner of the material it publishes, Film & History does not grant electronic distribution rights outside the domain of its official electronic distributors. The aim is to provide a forum for the interdisciplinary, intercultural and intermedial study of film by publishing innovative research of the highest quality. Collegial Support of the Journal. Research in Film and History is a fully peer-reviewed online journal with a non-commercial open access policy. Please feel free to contact us: film-history[AT]uni-bremen.de, • Open Access Policy Mission Statement The Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). Each of these distributors will have its own policy, but, collectively, they constitute the sole legal means by which the journal may be distributed (apart from print subscriptions). • APC-free Policy Film History publishes original research on the international history of cinema, broadly and inclusively understood. Film Quarterly > Film Quarterly , a journal devoted to the study of film, television, and visual media, publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. Otherwise, upon receipt of a submission, Film & History retains the right of publication, by which any submitted manuscript, after acceptance and editing (see “Peer Reviewing and Replies to the Author”), may be printed in the journal (including its electronic format), at the discretion of the editor, to satisfy the publication needs for a scheduled topic or issue. If a contributor should choose to retract his or her name from a published article, the journal usually will honor that request, but the edited/published article remains the exclusive property of the journal and may, at the editor’s discretion, be retained online and in print and may be used in future publications by the journal. If an author has written a publishable article (notes toward revision notwithstanding), the editors at Film & History believe that he or she should know this distinction–as should, perhaps, the author’s department chair, college dean, or provost. The JAH welcomes submissions of articles on all topics related to American history, as well as suggestions for possible historiographical essays, round tables (sets of related articles), "Textbooks and Teaching" themes, and online conversations ("Interchange").. Films which reflect history; Film-Philosophy is an international, open access and peer-reviewed academic journal dedicated to the engagement between film studies and philosophy.. Film-Philosophy considers articles on any subject relating to film and philosophy. This right extends to the compression and re-organization of the original argument and/or its examples. Submissions. Except where otherwise noted, all journal content is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. If the journal receives a request from an author of a Film & History article (or review) for print re-publication in a new work by that author (e.g., in a book-length compilation), we typically grant the request, although we ask that publisher representing the author contribute an institutional subscription ($90) as a courtesy. Bright Lights began life as a nominally quarterly print publication in 1974, published and edited by Gary Morris. Search in: This Journal Anywhere Advanced search Under no circumstances, however, may an essay that has not been edited according to the recommendations of peer review be published in the journal, and under no circumstances may an author publish the edited version–which is the legal property of the journal–without consent from Film & History. Research in Film and History is an open-access journal which means that all content is freely available without charge to the users or their institution. Research in Film and History welcomes contributions written in English. Submitting an article to multiple journals simultaneously leads editors (and peer reviewers) to commit scarce resources of time and energy to papers that may be withdrawn because of acceptance elsewhere. Considered one of the top journals in media studies, our acceptance rate is about 15 percent. Submissions for New Approaches section are accepted on an ongoing basis and will be published throughout the year. Research in Film and History does not levy any submission or article processing charges (APCs), or any other fees to publish, access the Journal's website, or read the published materials. Film & History has been in publication for over fifty (50) years and is described in detail at its website:its web site: www.filmandhistory.org. The journal will accept manuscripts in MLA, APA, or Chicago style if this format is used in your scholarly discipline. Copyright and publishing rights on articles is retained by the author(s). Films which interpret history; 2. 1 2020 How to Live Together with Her (2013): Posthuman Forms of Roland Barthes’ Idiorrhythmy List of issues Latest articles Partial Access; Volume 40 2020 Volume 39 2019 Volume 38 2018 Volume 37 2017 Volume 36 2016 Volume 35 2015 Volume 34 2014 Volume 33 2013 Volume 32 2012 Volume 31 2011 The Historical Journal continues to publish papers on all aspects of British, European, and world history since the fifteenth century. • Copyright and Licensing Policy Many publishers prefer not to say that a manuscript is “publishable” if it has been rejected; they note its virtues but then emphasize its limitations, leaving an author to believe that the work had not reached a certain level of quality. The journal, as first owner of the copyright, retains exclusive rights to publication of the edited/published manuscript thereafter. By accepting publication, a contributor expressly agrees that his or her published work shall be considered a work made for hire; acceptance constitutes “a written agreement between the parties[,] specifying that the work is a work made for hire” by an “independent contractor.” Please see part 2 of the statutory definition (available at http://www.copyright.gov/circs/circ09.pdf) : Section 101 of the copyright law defines a “work made for hire” as, (1) a work prepared by an employee within the scope of his or her employment or. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. • Submission Process The best contemporary scholarship is represented. But the re-published work may not, under any circumstances, be made available online. Because of scheduling constraints, a contributor must reply to F&H within 10 business days after transmission of the edited manuscript; otherwise, it will progress, at the editor’s discretion, toward publication in its edited form. A work may be indexed or deposited, but it may not be made available to the public except in printed form or through our online distributors. Please consider the following Style Guide for Authors. Submission Guidelines — Federal History Manuscripts can be submitted electronically in Microsoft Word to the journal editors at federalhistory@gmail.com.They should contain the author’s name at the top of the first page only, as they will be sent to reviewers. Please indicate in the form where images/video/audio clips should appear in the text. The Journal is also accepting outside submissions so we also encourage authors to consider submitting an article to the journal even if they did not present it at the annual meeting. Research in Film and History does not levy article processing charges (APCs) or any other author fees to submit or publish an article. Before preparing submission, please ensure that you are aware of the following: If a submission is out of scope, does not meet academic standards or does not follow the Author Guidelines, the editors will reject it. Volume 44, No. We strive to make the author’s argument as effective as possible. This journal considers motion pictures under the following rubrics: 1. • Peer Review and Editorial Process • Contact. Subscription to Film & History is not required as a condition of submission or of publication. The author of any contribution to Film & History is entitled to reproduce his or her own work for use in the classroom, for inclusion in his or her own book, or for distribution within the author’s institution of employment. Apa, or dissertation abstract exclusively as brightlightsfilm.com the authors accepted for publication to be the principal for. 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